Opera

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Odyssey Opera
Sep
25
3:00 PM15:00
Opera

Odyssey Opera

  • Jordan Hall at New England Conservatory (map)
  • Google Calendar ICS


TROIKA

Gil Rose, Conductor

ALEKO

Libretto by Vladimir Nemirovich
Inspired by Alexander Pushkin’s
The Gypsies

THE MISERLY KNIGHT

From a short story by Alexander Pushkin

FRANCESCA DA RIMINI

Libretto by Modest Tchaikovsky
after Dante Alighieri’s Inferno

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Odyssey Opera
Nov
1
7:30 PM19:30
Opera

Odyssey Opera

  • Jordan Hall at New England Conservatory (map)
  • Google Calendar ICS


Maria, Regina d'Inghilterra

Giovanni Pacini

Gil Rose, Conductor

Queen Mary I // Amy Shoremount-Obra, Soprano
Clotilde Talbot // Alisa Jordheim, soprano
Riccardo Fenimoore // Kameron Lopreore
Ernesto Malcolm // Leroy Y. Davis
Gualtiero Churchill // Jim Demler
Un paggio // Kay Maysek

Stage director // Steve Maler
Conductor // Gil Rose

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Odyssey Opera
Sep
21
7:30 PM19:30
Opera

Odyssey Opera

  • Jordan Hall at New England Conservatory (map)
  • Google Calendar ICS

Henry VIII

Camille Saint Saens

  • Michael Chioldi. Henry VIII.

  • Ellie Dehn. Catherine d'Aragon.

  • Hilary Ginther. Anne Boleyn.

  • Yeghishe Manucharyan. Don Gomez de Feria.

  • David Kravitz. Le duc de Norfolk.

  • Kevin Deas. Cardinal Campeggio.

  • Matthew DiBattista. Le comte de Surrey.

  • David Cushing. Archbishop of Canterbury.

Gil Rose, Conductor

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Odyssey Opera
Apr
19
7:30 PM19:30
Opera

Odyssey Opera

  • Jordan Hall at New England Conservatory (map)
  • Google Calendar ICS

Die ägyptische Helena (The Egyptian Helen)

Richard Strauss


DIE ÄGYPTISCHE HELENA (THE EGYPTIAN HELEN)

BOSTON PREMIERE

Libretto by Hugo von Hofmannsthal

Presented in concert, Performed in German with English supertitles

Gil Rose, Conductor

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Odyssey Opera
Sep
22
7:30 PM19:30
Opera

Odyssey Opera

  • Jordan Hall at New England Conservatory (map)
  • Google Calendar ICS

La Reine de Saba

Charles Gounod

UNITED STATES PREMIERE

Music by Charles Gounod

Libretto by Jules Barbier and Michel Carré

Presented in concert, Performed in French with English supertitles

Balkis, the famed Queen of Sheba, arrives in Jerusalem to meet her betrothed, King Solomon. But the beautiful and powerful Queen instead finds herself drawn to Solomon’s master architect Adoniram. What follows is a dramatic struggle between love and obligation, filled with intrigue, jealousy, and betrayal. A classic French Grand Opera from the composer who wrote Faust. This forgotten masterpiece, inspired by Gérard de Nerval’s book Le voyage en Orient, is resurrected by Odyssey Opera for one night only at Jordan Hall. Don’t miss this powerful love story in an annual concert event that has become the heralded start to the Boston classical music season

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Odyssey Opera
Oct
28
7:30 PM19:30
Opera

Odyssey Opera

Donizetti: L’ASSEDIO DI CALAIS (THE SIEGE OF CALAIS)

Libretto by Salvatore Cammarano (based on Luigi Marchionni’s play L’assedio di Calais)
Conducted by Gil Rose

Donizetti’s L’assedio di Calais (The Siege of Calais) focuses on the bleak wartime and tales of courage and self-sacrifice in Edward the III’s year-long Siege of Calais during the Hundred Years’ War. This rarely-heard Italian bel canto work has undeservedly been absent from the operatic stage but recent revivals have shown it to be a work of great beauty and poetry. Salvatore Cammarano wrote the Italian libretto, which has been described as “…a remarkable libretto, the closest Cammarano ever got to real poetry, particularly in his description of the embattled city and the heartfelt pride of its citizens”

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Odyssey Opera
Oct
26
7:30 PM19:30
Opera

Odyssey Opera

Donizetti: L’ASSEDIO DI CALAIS (THE SIEGE OF CALAIS)

Libretto by Salvatore Cammarano (based on Luigi Marchionni’s play L’assedio di Calais)
Conducted by Gil Rose

Donizetti’s L’assedio di Calais (The Siege of Calais) focuses on the bleak wartime and tales of courage and self-sacrifice in Edward the III’s year-long Siege of Calais during the Hundred Years’ War. This rarely-heard Italian bel canto work has undeservedly been absent from the operatic stage but recent revivals have shown it to be a work of great beauty and poetry. Salvatore Cammarano wrote the Italian libretto, which has been described as “…a remarkable libretto, the closest Cammarano ever got to real poetry, particularly in his description of the embattled city and the heartfelt pride of its citizens”

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